The 12 diptychs can be seen as an interplay of visual, formal, and content-based analogies. On the one hand, this results in an interpretive diversity of the architecture of volume and space, using the example of three topographies of napkins and the human body and a map; on the other hand, there is a diversity of content: napkins become figures with seemingly individual characters, and people become abstract objects. The works address questions about the meaning of function, norm and deviation, about the change of social values and understanding of human beings who are constantly relocated in a psychological, physical and geographical way.

Studio Berlin, each 166 x 110 cm