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    Disjunction of Parallel Constructions, 1-12, 2019
    each framed 51 x 64 cm, gelatin silver prints, hand-printed on Baryta paper

    The 12 diptychs can be seen as an interplay of visual, formal, and content-based analogies. On the one hand, this results in an interpretive diversity of the architecture of volume and space, using the example of three topographies of napkins and the human body and a map; on the other hand, there is a diversity of content: napkins become figures with seemingly individual characters, and people become abstract objects. The works address questions about the meaning of function, norm and deviation, about the change of social values and understanding of human beings who are constantly relocated in a psychological, physical and geographical way.

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    Disjunction 1, The Ram

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    Disjunction 2, The Bishop

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    Disjunction 3, The Fan-Shade

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    Disjunction 4, The Communal Table

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    Disjunction 5, Roxburgh

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    Disjunction 6, The Mitre

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    Disjunction 7, Spitsbergen

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    Disjunction 8, Tongues

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    Disjunction 9, The Double or Archbishop’s Mitre

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    Disjunction 10, Light-Shade

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    Disjunction 11, The Watchtower

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    Disjunction 12, The Eiffel Tower

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    Studio Berlin, each 166 x 110 cm